David Arioch – Jornalismo Cultural

Jornalismo Cultural

Archive for the ‘Pig’ tag

Quando um garoto assume o papel de um porco no matadouro

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Em pig, o objetivo do escritor é mostrar como a violência humana é legitimada

Lexington, um jovem que cresceu como vegetariano estrito, vai a um restaurante e experimenta um prato baseado em repolho e carne de porco. Ele nunca tinha comido aquilo e fica maravilhado com a experiência, tanto que decide descobrir a origem da carne. Então viaja até um matadouro, onde assiste o sofrimento dos porcos preparados para o abate.

O primeiro porco é mantido imóvel por meio de uma corrente que envolve seus pés. E essa corrente é presa a um cabo que se move para cima e para baixo. Logo o porco é arrastado enquanto emite grunhidos desesperados ao longo da linha de abate. Apesar da crueldade, Lexington acha o processo fascinante, enquanto os funcionários da linha de produção se mostram entediados.

De repente, por um descuido, uma das pernas do rapaz fica presa a uma corrente e ele é arrastado por um cabo. Os funcionários não se importam, indiferentes ao processo que se repete diariamente. A descrição do que acontece com Lexington é extremamente gráfica e contempla todo o processo de abate. A única diferença é que há um humano no lugar de um porco.

E o maior apelo da história subsiste na associação que o escritor Roald Dahl faz entre suínos e humanos. Sua abordagem vai ao encontro da ciência, que qualifica os porcos como animais inteligentes. Porém, a diferença mais significativa está na incapacidade de terem pensamentos abstratos, serem esperançosos ou recorrerem a Deus. E por isso sua dor é mais avassaladora do que a humana, segundo a própria obra.

Sobre Pig, obra do britânico Roald Dahl publicada em 1960. Ao escrevê-la, o objetivo do escritor era mostrar como a violência humana é legitimada, aceita como parte de um “processo natural”.

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Written by David Arioch

December 26th, 2016 at 7:54 pm

The piglet from the showcase

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The truth is that no one cared about his presence until the glass began to vibrate

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“Oh my God! What is that? A live pig! Disgusting! How awful! What a joke! Lord, have mercy!” (Photo: Copy)

One day, the butcher shop queue seemed endless, extending to the far white wall, where the exhibitors showed up with hundreds of cereal boxes. And more and more people were buying huge amounts of meat.

“Give me twenty kilos of lamb!”, “I want ten kilos of pork ribs!” “Oh! And seven kilos of tuscan sausage!” “No! I asked fifteen kilos of termites!” “Yes! That’s it! Eighteen kilos of palette!”

Ground beef, chicken wings and drumsticks, topside, rump steak, skirt steak and bacon. The demand was so big that one of the butchers had to see if there was enough meat to satisfy all those people. Some customers became despaired with the possibility of missing one or another cut. “For the love of God! If I don’t get a good piece of steak, I don’t know what to do. This will be the end of the holiday for my family”, complained a man pushing a cart full of frozen and chilled meat trays.

While some people gnashed their teeth and others gnawed on their nails, the most discreet individuals subtly kicked the wheels of the cart and waited for the butcher’s response, who was given the most important task of the day. “I want steak, mother! I want bacon, mother!”, shouted a crying kid under eight years old. The little meatlover opened his big mouth to complain, and it was not hard to see meat lint between his teeth.

The tension increased as the butcher did not return. I noticed shaking hands, people scratching their bodies, as if taken by itching. With uneasy glances, expressions of dismay, anger and disapproval, swelled the bulwark of unrest. When the butcher returned, he nodded and smiled, and the crowd of customers applauded.

Quickly the voices and applause were drowned out by the sound of butcher saws slicing colossal rib pieces. No one cared about the mist of bone sharps falling over their heads. Thus the algid and assorted smell of flesh, a piglet was kept in the showcase.

With an apple in his mouth, he was ignored. The truth is that no one cared about his presence until the glass began to vibrate. The customers looked at each other and saw no hand or human leg touching the showcase. And inside, the piglet was trying to break the glass with an apple in his mouth. He made an extraordinary effort to get rid of the fruit. Then he grunted more than ever. Frightened, adults screamed and children cried. But no one was more thrilled than the pig who slipped on his tears.

“Oh my God! What is that? A live pig! Disgusting! How awful! What a joke! Lord, have mercy! This is so evil! What is this world coming to?”, they said. The image of the live piglet made customers leave the butcher’s queue, and if not for horror, at least for embarrassment. The exception was the man who was in line to buy fillet steak:

– What do you want, sir?

– I want the pig.

– But, sir, he’s still alive!

– This is how I want it.

– I will see what I can do.

– Well?

– It’s all right! You can take the piglet. You can pay for it over there, with the cashier.

– Alright! Thank you, my friend.

On that day, the last store customer abandoned the cart which carried many chilled and frozen meat trays. With the piglet in his arms, he crossed the market and ignored dozens of looks. At the register, he paid for something that he didn’t consider as one more product and walked to the exit as if carrying a baby. Outside, the night did not seem dark and cold. Then, the piglet from the showcase put his nose on the man’s shoulder and did not cry, just dozed.